Alan Syliboy’s Whimsical World

Ancient petroglyphs spring to life in multi-media artist's work — By Lisa Monforton

"Little Thunder" / Art by Alan Syliboy

During a recent trip to Cape Breton, Nova Scotia, I had the chance to meet celebrated Mi’kmaw multi-media artist Alan Syliboy.

Syliboy—a passionate man whose primary work is inspired by ancient Mi’kmaq petroglyphs found throughout Nova Scotia—was selling a series of hand-painted elk skin drums.

I fell hard for one drum that featured a fanciful image of a young boy with tree branches sprouting from his head.

“Little Thunder”—pictured above—is the main character in Syliboy’s recently published children’s book, a coming-of-age story (derived from the Mi’kmaw legend The Stone Canoe) about a boy and the art of thunder-making.

As a young man during the 1970s, Syliboy often visited a series of petroglyphs located in Kejimkujik National Park and National Historic Site—located about two hours from where he grew up in the Truro, Nova Scotia-based Millbrook First Nations community.

Photo courtesy Alan Syliboy

“They’re the best examples of Mi’kmaw imagery left. Seeing these petroglyphs energized my art career and affected my whole life,” says the ebullient Syliboy—who still visits the approximately 500 engravings in stone found within the park. “Going there is like a pilgrimage for me. As an artist, it’s a gold mine.”

Alan Syliboy / Photo courtesy of the artist

First contact with Europeans began 400 to 500 years ago and has, over time, he explains, eroded the Mi’kmaw nation’s link to their ancestors and culture.

“We lost 90 to 95 per cent of our population. We were down to a few hundred people. We were just about extinct. I want to bring to life these old stories and make people aware of who we are,” says Syliboy, whose work also features whimsical, petroglyph-inspired depictions of whales, canoes and caribou.

Art by Alan Syliboy

“Today, we are a population of about 30,000. We live throughout Nova Scotia, Prince Edward Island and Newfoundland. There are lots of us who live in the Boston and Maine area, too.”

While Syliboy is determined to raise public awareness about his people and culture, he also enjoys teaching art to the youth within his community. “As an elder,” says Syliboy, “I have a responsibility to help preserve our heritage and help the next generation along.”

Art by Alan Syliboy / Photo by Len Wagg

Aside from being one of his community’s most notable artists, it turns out Syliboy is a musician, as well. In fact, his band Alan Syliboy and the Thundermakers will be headlining at this summer’s Stan Rogers Folk Festival (June 30-July 2).

“Five indigenous bands have been invited to perform,” says Syliboy. “We’ll be doing a show that includes music, soundscapes, spoken word and visuals.”

When asked about the re-occurring theme of thunder in his life, he says:

“The thing about thunder is that it makes an impression wherever it goes. That’s what the image of Little Thunder does, too. Wherever he goes, he’s noticed.”

Truth be told, the same could be said of Alan Syliboy. Yes, his art is captivating. But so, too, is the man himself.

Editor’s note:  Mi’kmaq is the plural form of the singular word Mi’kmaw. Click here for more information on the usage of Mi’kmaq and Mi’kmaw.

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  1. peggie wentzell commented:

    I own a few of Alan’s prints and one of his drums ( a little Thunder drum ) I have to say I love his style I also have one of his CD’s from his former band Lone Cloud which I continue to enjoy. I look forward to hearing what will come from his new group 🙂

    Reply

  2. Linda commented:

    What a treat to read this wonderful story about Alan Syliboy and to see his magnificent work. On this cold and dreary day in Kelowna I was particularly taken by his joyful painting of the whale – truly a gift!

    Reply

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